In the Middle Ages, Christian 
beliefs took the place of
mathematics. And thus changed 
the relationship between 
architecture and music.

The thesis »God is light«
laid the foundations
for Gothic church
architecture.

Abbot Suger stated this in the 
twelfth century and drove
forward the construction of the 
Cathedral of Saint Denis near 
Paris. The walls of its choir
set a standard for centuries
to come: For the first time,
an unprecedented, delicate system
of buttresses and arches made it
possible to fill the walls
of a choir with colored glass.
A competition began to make 
churches ever lighter and 
brighter. The result was that 
Gothic church architecture
rose to more and more
extreme heights.
The urge to soar high and
the chants of monks defined
a new relationship between
music and architecture:
the decisive aspect was
the intensity with which
music could spread into
all parts of the space
and in all directions.
For the praise of God.