In the twenty-first
century, the syntheses
of music and architecture
are more multi-faceted
than ever before.

At present the best architects
are creating huge concert halls
or avant-garde venues for chamber
music all around the world.
Frank Gehry,
for example, inserted his huge
Walt Disney Concert Hall between
sky scrapers in the heart of L.A.
like a gleaming sailing ship
made from steel in 2003.
Many regard this architectural
landscape consisting of
300,000 metal elements as
Gehry’s greatest work.
How did it become possible?

To build a concert hall,
you »must feel
closely connected
to the listeners
in the audience.«